J. R. R. Tolkien once wrote in a letter to a fan, “Part of the attraction of The L. R. [Lord of the Rings] is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist. To go there is to destroy the magic, unless new unattainable vistas are again revealed” (The Letters of J. R. R. Tolkien; letter #247, bottom pg 333).
It’s for this same reason, I believe, George R. R. Martin insists on not presenting a factual history of his Song of Ice and Fire series (The World of Ice and Fire being told from the perspective of a character in that world; vulture.com/2014/11/George-rr-martin-new-book.html). It’s partly why, in my opinion, the second trilogy of Star Wars films was so unsuccessful (aside from the obvious storytelling faults). The rumours I heard about the Clone Wars had built up a story in my imagination greater than anything George Lucas could have presented to me.
Sometimes that little bit of unknown information can be infinitely more enticing than the fully revealed truth. It’s what makes history so intriguing. We can never know all of the answers for a certainty. It’s this precise device which draws players into the stories of the Dark Souls games and their related titles (collectively called the Soulsborne series), and it’s the way the stories are presented which creates such an immersive experience for the player. Read more… ›
What I think has drawn people to the Soulsborne series (affectionately named by its fans for the Dark Souls series, Demon’s Souls, and Bloodborne, collectively) and evolves to obsession for many of us, is the experience the games provide. Not the story. Not the gameplay. But the totality of all of the games’ collective parts.
For anyone who is not a gamer (or game designer, for that matter), I’ve heard it said that the highest point in the art of game design, the greatest achievement a game can make, is to seamlessly integrate all of its parts into a complete experience for the player. Like reading a book or watching a film, you never once want the game to feel disjointed, a part of it forced or out of place; the suspension of disbelief should never be broken. And having been a gamer all of my life, and speaking as someone with a bit of amateur experience and classes in game design, I can honestly say I have never played a game or series which has achieved this so (near) perfectly. Read more… ›
In twenty one days, the world of Dark Souls players will be able to explore The Ringed City, the final DLC in the series by From Software and perhaps at last we Undead will see the ultimate fading of the Flame. It’s a sad day and a hopeful one, I’m sure, for many of us who have been inexplicably drawn to the series since the first Dark Souls in 2011 (and even its predecessor, Demon’s Souls in 2009). But even for those who have slowly been brought into the fold over the years, the ending of Age of Fire spells the ending of an age in video games, one which hopefully will usher in a new age of great potential and creative freedom. Though for me, I wonder if this will spell the end my on-going love for video games, for, as many have said in the before me, Dark Souls ruined video games for me. Read more… ›
Today is an exciting day for me, though (to be honest) it’s also a bit terrifying because today I’ve officially launched my new Patreon page!
For a long time now I’ve toyed with the idea of crowdfunding, drawn by its potential to help fund personal, independent projects. As it is, personal, independent projects have been a major part of my career as a writer and artist, yet I’ve never been certain if I could carry a campaign all on my own. But then, over a year ago, I became aware of Patreon. Read more… ›
As promised, I’m sharing the podcasts of the artists and writers panels I was on during No Such Con this past weekend. I had a lot of fun at the show (which you can read about in Tuesday’s blog piece: jmdesantis.com/2017/02/no-such-con-2017-write-up/), and both panels were great to participate in. Thanks again to our moderator, author Thomm Quackenbush, for having me on them. Read more… ›
When I think of a typical comic convention, my experiences at No Such Con are not what come to mind. The show took place at a college, it was run by students and I was given a half table and paired with a musician and sometimes actor on said table. It sounds terrible, I know. But if that’s the way you think this blog piece is headed, you could not be more wrong. Read more… ›
First, Happy Valentine’s Day to all. I know many people are cynical about the holiday (as it were, for some of you), but all the same, I wish you a happy one and if you do enjoy Valentine’s Day or Gentleman Cthulhu (or both) you can see this week’s comic by clicking over to gentlemancthulhu.com.
That said, this weekend is the recently added though seemingly significant No Such Con at Vassar College in Poughkeepsie, New York. I say significant because (as I’ve written about previously) I was invited not only as a guest to the show (my first guest-invite ever), but to speak on four panels (I’ve never done more than one in a single weekend). Read more… ›
For a long time now I’ve been talking about, debating and even writing about starting up a Patreon page. To be perfectly honest, I’ve been working on one for a while now (and have mentioned it a few times on this blog), but I’m beginning to tire of simply working on it and not putting the plan into full action. At this point nearly everything is complete for the page, and so I’m making the official announcement now that my Patreon page will launch on March 1, 2017. Read more… ›
It’s been both an exciting and difficult week. On one hand, I was invited to a convention as a guest for the first time ever. On the other hand, the state of things in the United States is equal parts inspiring and frightening (frightening because of Trump’s actions; inspiring because of the actions of those standing up to him). As a result of the latter, I created some new Chadhiyana artwork over the weekend, and so today’s post is going to cover both the con and said artwork. Read more… ›
2017 is already off to a roaring start. Over the past two weeks two of my comics, Chadhiyana #5 and Gentleman Cthulhu: Year One, were released online (the former by Rosarium Publishing). Then there’s the US Presidential Inauguration and everything happening around it (such as the Women’s March on Saturday). Even with all of that, this is something of an in between week for me. One of those weeks where I’ve been so busy with work, and so many gears are turning and plans are in motion, but there’s nothing official to announce. So I thought I’d take the time this week to just write a few updates and maybe (maybe) hint at a few things to come. Read more… ›