It’d been two years since I had been to Baltimore for the Comic-Con, and I was looking forward to going back. I have a number of fans that travel for the show, and I’ve always really enjoyed doing it. There’s a unique atmosphere at the show, as it’s large enough to be considered a large convention yet there’s a sense familiarity usually found only at smaller shows. It’s always been one of my favourites, and it holds the distinction of being both the first show I ever travelled for (beyond the New York-New Jersey area) and the show where I met my publisher, Bill Campbell (Rosarium Publishing), two years ago. That said, it’s also now the first show I ever missed a year of attending and then returned to, and for that reason, I was a bit nervous as to how the show would go for me.

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It’s Monday morning (Tuesday for you, reader), and I’m back in the studio again for a week before I’m off to yet another convention. This Saturday is the Inbeon Con: Summer Edition (inbeoncon.com), and it will be my last con until New York Comic Con in October. (Again, sorry folks, I won’t be able to make Baltimore Comic-Con because of a wedding I’m in that weekend.) But before all of that, I wanted to thank everyone who attended the Boston Comic Con and helped make this such a successful show! Read more… ›

It’s been a good run of successful conventions this year, so it was bound to happen that one would prove a disappointment. While Eternal Con wasn’t an unsuccessful show by any means, it wasn’t quite as successful as the last few shows. Again, I’ve heard a lot of great things about Eternal Con over the past two years, so perhaps this year was just a fluke. After all, the word is the layout was changed this year and artist alley was scattered throughout the Cradle of Aviation Museum, making the artists extremely difficult to find.  Read more… ›